The Small Faces ~ So I’ll Just Groove Along Quite Naturally

December 5, 2014

In Memory of Ian McLagen  – 1945 – 2014

Are you sitty comfy bold two square on your botty?

Then I’ll begin………

Long before Rod Stewart and Ronnie Wood got together to form the Faces in the early 70’s there was a pop group in England called The Small Faces who  formed in the early 60’s and had hits glore in the UK.

Original members included singer Stevie Marriott who had a spit~in~your~eye attitude leading on three other renegades ~ Ronnie “Plonk” Lane on bass, Kenney Jones on drums, and Ian McLagen on keyboards. The latter three were to join Rod the Mod and Ronnie Wood in the Faces after the Small Faces broke up and Stevie Marriott went on to form Humble Pie. The Faces first album First Step was released in the USA as the Small Faces.

They were called The Small Faces because they were all no taller than 5′ 6″ and they performed some of the most raucous R&B and soulful music this side of the Wapping Wharf with influences such as Booker T & the MGs, Sam Cooke and Solomon Burke. They also looked good with a great image, and were the Mod kings of swinging London,  the boys had clothing accounts at all the best shops in Carnaby Street while the rest of us Mods & Rockers fought it out in Brighton.   

The Small Faces early hits are classic slices of Mod Pop, ‘Whatcha Gonna Do About It’, ‘ Sha La La La Lee’, and ‘All or Nothing’ all released on Decca Records. By 1967 the groups songwriting had began to mature and a change of record label from Decca to ex Stones manager Andrew Loog Oldham’s new Immediate Records allowed them to not play live so much and have more studio time and artistic freedom just like the Beatles with Sgt. Pepper as the flower power era dawned.

Starting with ‘ Here Comes The Nice ‘ The Small Faces blazed a spectacular coloured soundscape across the sky. The truly remarkable Itcycoo Park (their only US hit) was followed next into the charts by Tin Soldier. This is my all time favourite song, full of passion it still today explodes out of the speakers with former Ikette  P.P Arnold on backing vocals spurring on Stevie Marriott to one of the greatest UK soul performances ~ ever!

Everyone nowadays talks about Pete Townsend and Ray Davies being the great spokespersons and class observers of the British 60’s generation  but I think we should take our hats off to Stevie and Ronnie as great songwriters as well!

I remember buying ‘Lazy Sunday’ with Stevie’s cockney voice and the great sound effects on the record while staying at my Aunt Alice’s in Bournemouth on the south coast of England and I must have driven her crazy playing that song and the B side ‘ Rollin’ Over ‘ maybe over a thousand times that Easter weekend.

Their last single to just make it into the Top 30 was ‘ The Universal ‘ and what a truly unique record it is! Partly recorded in Stevie’s back garden with dogs barking in time it features a crazy clarinet part and a Chet Atkins style guitar solo and it’s totally uncommercial but they still made it on to Top of the Pops for a memorable performance.

Like most of the British bands from the 60’s the Small Faces 45 rpm records have great B ~ sides like ‘ Talk to You’ with a powerful passionate Marriott vocal and ‘ I’m Only Dreaming ‘ a beautiful love song with a light arrangement and once again sang with great soul by Mr. Marriott.

B~side ‘ I Feel Much Better ‘ starts with Ronnie Lane’s bass ~ the baddest sound this side of the Watford Gap with P.P. Arnold once again supplying the backing vocals and a great fade at the end of the record. ‘ Rollin’ Over ‘ comes on like a steamroller coming at ya with a killer brass section and Kenney Jones really showing what a great drummer he is and Ian McLagen as melodically inventive on the keyboards as ever and on top of all that another epic vocal from Stevie Marriott.                                         

Donkey Rides A Penny A Glass ‘ always reminds me of my school holidays at my Dad’s caravan on the Essex coast on those hot summer days! grooving along quite naturally. Brilliant!

Then to top it all off and to light the candles on their cake the boys produced the classic  ‘Ogden’s Nut Gone Flake ‘ album released on May 31st 1968. I remember that day was full of sunshine as I travelled to Barking in Essex by bus to buy this extraordinary record with its round artwork sleeve ( a first ) and  the fairy~tale story of Happiness Stan on Side Two of the record narrated by Stanley Unwin in his own strange but unique Unwinese language taking us all off to another world!. This album sounds fantastic in mono.

A brilliant album full of great songs and east end music hall humour that was overlooked in North America but which is full of the a deep joy and thorkus, a great laugh ‘n’ tittery for the heart as Stanley would say.

God bless em all!       Long ago and worlds apart

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Max Bygraves ~ Fings Ain’t Wot They Used To Be

September 13, 2012

I Wanna Tell You A Story!

Walter Bygraves was born one of six children in the docklands of south east London and his father was a boxer, he came from a poor council estate background and his is a story of  rags to riches steeped in music hall tradition. When he joined the RAF he used to impersonate Max Miller and that is where he picked up his nickname Max. My nan & grandad once told me he started his career singing in the Beacon pub in my home town Dagenham. Wonder if that is true!

Max had been making a name for himself on the BBC radio show “Educating  Archie” with the catch phrase “Good Idea, Son!” but in 1954 the British Hit Parade came into being and that year was a stellar year for young comic Max with hits with the Tanner Sisters ” Friends & Neighbours” and on his own with “Heart Of My Heart” and the classic ” Gilly Gilly Ossenfeffer Katzenellen Bogen By The Sea” which became a firm family favourite in our house. Also making her UK chart debut that year was Petula Clark with her song “The Little Shoemaker”.

One of my favourites as a kiddie was ” You’re A Pink Tooth Brush” which was on the radio a lot and I  met one of the writers of the song in the mid 80’s who was a fine old gentleman by the name of Bob Halfin who was working as a music publisher for a company called Campbell &  Connelly which sounded like a firm of solicitors but was one of the oldest music publishing companies in Britain.

Over the next couple of years Max appeared in the charts with “Heart” & “Meet Me On The Corner”. In May 1958 he hit No.3 big on the chart with “You Need Hands’ c/w “Tulips From Amsterdam” which became his theme tunes, both songs staying on the charts for 21 weeks that summer and selling over a million copies. At Christmas ’59 Max returned with the Christmas song “Jingle Bell Rock” .                    

In 1960 Bygraves bought the rights to an unknown song that he liked one of the songs from ~ The musical was “Oliver” written by Lionel Bart and the song was “Fings Ain’t Wot They Used To Be” and after that he never had to count his pennies again!

In the 70’s Max Bygraves enjoyed huge success with his Sing~Along~With Max albums on Pye Records which drew heavily from the nostalgia of music hall of the family medley sing~song! and he dented the charts again in 1973 with the Wink Martindale classic “Deck of Cards”.  Few British all round entertainers have been more loved.                     

I was lucky enough to meet Max Bygraves when one day he parked his beautiful Rolls Royce next to my wreck at ATV House in Marble Arch and he got out said hello and shook my hand.

I will never forget the number plate on the Rolls ~ it was MB 1. Years later Mercedes Benz offered Max one million pounds for that number plate and he turned them down.

When he was awarded the OBE his friend Eric Skyes rang him to asked him if he knew what the intitals OBE stood for! “No” said Max ~ “Over Blinkin’ Eighty” replied Eric.

Great little story from 2003 was that an Oxfam charity shop in Kent banned Max Bygraves records from the shop because they had too many of them already! Good Idea Son!


Jet Harris ~ Me and my Shadows

February 7, 2012

In 1958  two Geordie boys came down to London not to visit the queen but to appear in a talent contest their names were Hank Marvin and Bruce Welch and the name of their skiffle band was The Railroaders, sadly they didn’t win the talent contest and as the rest of the band unhappily returned north Hank & Bruce decided to stick it out and with guitars in hand went for coffee in the 2 i’s coffee bar in London’s Soho district. Later the Geordie boys then met Cliff Richard’s manager John Foster who was putting together a backing band called the Drifters to back Cliff on a UK tour, so in early 1959 with Hank on lead guitar and Bruce on rhythm guitar along with blonde and moody and magnificent Jet Harris on bass and the very young Tony Meehan on drums they set off on the road. The classic Shads line up was born!

This line up had all the girls screaming for the good looking  blonde haired Jet Harris and the boyish smile ofTony Meehan.

EMI records producer Norrie Paramor who also produced Cliff Richard on seeing the boys on tour signed them to their own recording contract. They released two singles as the Drifters both with vocals before changing their name to the Shadows because of the American soul band also called the Drifters.

Their second release as the Shadows was an instrumental song called  ‘Apache’ written by Jerry Lordan and it made it all the way to No. 1 on the charts replacing Cliff ‘s ‘Please Don’t Tease’ at the top. An instrumental classic then and now! more hits were to follow with ‘Man of Mystery’ and  ‘FBI’. 1961 saw the release of their first album which stayed on the charts for a year! 1962 saw the Shadows  appear in the Cliff film ‘The Young Ones’ in which they looked brilliant and they hit the top of the charts again with another brilliant Jerry Lordan composition ‘Wonderful Land’.

Who remembers the Shadows dance steps!.

Music shops at this point saw an upswing in the sale of guitars as everyone wanted to play like Hank Marvin from the Shadows.    

The Shadows personnel was to change during this period with Tony Meehan being replaced on drums because of his constant lateness on by the great Brian Bennett and the blonde Jet Harris being replaced by Brian ‘Licorice’ Locking on bass. Jet Harris has said that he left the band because Cliff was having an affair with his wife and unfortunately Jet has hit the bottle for the rest of his life but Jet & Tony both had great success in the UK charts with ‘Scarlett O’Hara’ and ‘Diamonds’ which are great 45s in their own right and just as good as the Shadows. Sad that both players have now passed away. Brian ‘ Licorice’ Locking would later  be replaced on bass by John Rostill and it is was said that Locking was getting a religious hold over Cliff and the band as Cliff found religion and Hank became a Jehovah’s Witness as Locking was himself. The Shads was to lose their permanent bass player and a good songwriter in 1973 when John Rostill  died  from electrocution in his home recording studio. Very sad. All the way through the Shadows long career Bruce Welch and Hank ruled the band with an iron fist making all the decisions and the direction the band would go in.

The Beatles changed everything in the world in 1963 with the beat boom from Merseyside but the Shadows held on with my Shads favourite song ‘Foot Tapper’ and also ‘Shindig’  topping the charts and once again they appeared in the blockbuster Cliff film ‘Summer Holiday’ which is still a great film today.

This was a great period for the much~loved  British instrumental group of all time and all the great British guitar players as youngsters all took their cue from Hank Marvin and to see Cliff and the Shads on the final reunion tour was a fitting reminder of how great these lads are!

Plenty of Twang!


The One and Only Billy Fury

November 4, 2011

In the 50’s the arrival of American Rock n Roll had a huge impact on the youth of Britain.

Ronald Wycherley was born in Liverpool on April 17th 1941 and he was one of those teenagers that loved the American rock n rollers! Records by Elvis Presley, Buddy Holly, Eddie Cochran and Gene Vincent stirred the blood of the young teenage Wycherley as their records raced up the British charts week after week! When it came to British rock n roll there wasn’t much out there and the British imitators were sometimes on the feeble side, but Marty Wilde, Cliff Richard and Johnny Kidd & the Pirates did try and give it a good go!                                                                                              

A lot has been written about how Billy Fury was discovered which was a good bit of PR orchestrated by his manager Larry Parnes, the Brian Epstein of the 1950’s who had an eye for quasi ~ talented, good~looking boys and Billy Fury became the jewel in his pop crown. Billy was the boy pop star with the smoldering good looks and little boy lost look, slicked back hair cut, a cross between Elvis and Eddie Cochran. What teenage girl could resist him with his heavy~lidded vaseline eyes, singing the atmospheric ‘ Wondrous Place ‘. The girls went mad!

Billy’s first three top twenty hits were all written by him which is a remarkable achievement at a time when every singer did cover versions of the big USA hits,long before Lennon & McCartney era came along and made it commonplace for artists to record their own songs!

Billy Fury released the wonderfully authentic sounding 10″ album ” The Sound of Fury. ” A true British rock n roll statement, featuring tracks like ‘ That’s Love ‘ and ‘ Turn My Back On You ‘ which features the storming rockabilly twanulations of that cheeky cockney chappie Joe Brown on guitar.                               

What might have been if Billy Fury had stuck to his rock n roll path.

By the early 60’s in a Presley attempt to make him appeal to a wider audience, his management and Decca record company transformed him with huge success into a clean~cut ballad singer. Billy is best remembered for the song ‘ Halfway To Paradise ‘ with reached No. 4 in the UK chart and was quickly followed by the big melodramatic ‘ Jealousy ‘ and ‘ I’d Never Find Another You ‘. Whatever chance of continuing to write his own rock n roll songs has disappeared and fans of Billy’s brand of rock n roll were left to wonder ~ What if ~ as he was now on the conveyor belt of producing hit records ending up with 26 Top 50 hit singles in the 60’s which is pretty impressive.

At the peak of his career whirlwind tours, radio and TV appearances and his films like ‘ Play It Cool ‘ and  ‘ I’ve Gotta Horse ‘ kept him busy and a couple of his many backing bands were the Beatles who Billy thought would be trouble and the Tornadoes who went on to have an enormous worldwide hit with ‘ Telstar ‘ which was produced by the legendary British producer Joe Meek.

By 1964 with the onslaught of Beatlemania and the Merseybeat, solo singers were all struggling but Billy managed to keep the hits coming and by the end of the 60’s only Elvis, The Beatles and Cliff Richard could claim more UK hits than Billy Fury, but the time they were a changing and the hits started to dry up as Fury was starting to sound as old as his records.                                                                                                           

Lots of personal problems existed at this point but in 1973 Billy was offered a cameo role in the classic British rock n roll film ‘ That’ll Be The Day ‘ starring David Essex and Ringo Starr. Fury played Stormy Tempest a rock singer leading the Butlin’s style holiday camp band in the late 50’s which included Keith Moon and Dave Edmunds. Well worth seeing if you haven’t. With his voice and good looks still intact, Billy steals one particular scene by cradling the microphone in one hand close to his mouth while the other hand steadies the mike stand across his thigh all the time looking and performing to the pretty girls in the audience one by one.

Ronco released an LP for the soundtrack and also a 5 track EP of the songs Billy performs in the film and this EP has become very collectable. Rumour has it that during the filming the entire film crew was banned from every hotel on the Isle of Wight because of Ringo’s and Keith Moon’s high booze intake and the resulting mayhem that followed with everyone involved after the days hard shoot.

In 1981 while I was working for Polydor Records in London I was lucky enough to have the opportunity to sign Billy Fury to a new recording contract and reach the lower reaches of the UK chart with the 45’s ‘Devil or Angel ‘ and ‘ Love or Money ‘ and we was recording an album with producer Stuart Coleman ( Shakin’ Stevens) and a great studio band which featured  Terry Williams (Rockpile and Dire Straits) on drums, Pete Wingfield on keyboards, Billy Bremner (Rockpile) on guitar, and Mick Green (Johnny Kidd & The Pirates) on guitar. The album was only released after Billy’s untimely death at the age of 42 in 1983.                                                                             

Two things I personally remember about Billy is one time being in the studio with him to record a vocal track and we had to turn down the lights in the studio very low because of his shyness but when he started singing out came this perfect voice which even after twenty years he had not lost! and also a Buddy Holly night at the Lyceum Ballroom in London which was put on by Paul McCartney which I attended with Billy’s manager Tony Read. When Billy Fury was introduced to the crowd he nearly brought the house down with his many fans that were there that evening. Fury also showed great respect to his excited  fans by taking the time to talk to them and to sign every last autograph for then. A true star!

I got really close to Billy Fury in his last years of his life and we became good friends. I remember him as a shy guy almost unsure of himself and his talent. A singer who had been totally ripped off and mismanaged in his career, but his time spent on his farm in Wales in his later years was where he was most contented, there he bred horses and spent a great deal of time bird watching of the feathered kind ~ two of the great loves of his life, far removed from the Fury and bright lights of the music business.                          

I still miss him ~ like many others.

If you visit Liverpool then don’t forget to see the beautiful bronze statue of Billy in the city.


Beatlemania ~ November ’63

August 28, 2011

The Beatles kicked off November 1963 with their Royal Variety performance in the presence of the Queen Mother and  Princess Margaret. This night John Lennon was to announced to the crowd “For those of you in the cheap seats clap your hands to this one:  the rest of you can rattle your jewelry” and then launched into ‘ Twist & Shout ‘ and Beatlemania had arrived in Britain!                           

The Beatles went off on a tour of England and was met by large crowds of female girls screaming and fainting at the very glimpse of the mop tops and most of these shows on this tour were held in cinemas as the boys criss crossed the country for the month getting 300 pounds a night and not being able to hear a thing they were playing!

The single ‘ She Loves You ‘ had been No 1 in the UK charts and would be followed by ‘ I Wanna Hold Your Hand ‘ in late November ’63 selling a million copies before release.

On November 22nd the Beatles second album ‘ With the Beatles ‘ was released with its distinctive black and white half shadow cover and haircuts and I remember the girl who lived across the road Linda coming over to my house with the record and hearing it for the first time. It sounds so fresh and tight,  full of atmosphere and the band deliver a masterpiece with Ringo supplying the back beat for the boys to supply their chunky rhythm and sing their hearts out!. No songs were released as singles in England off this LP but all of the songs are well crafted and are super good !

With the Beatles ‘ was the follow~up to the ‘ Please Please Me ‘ LP which was recorded in one day and this LP had more time spent on it and is well recorded by George Martin and the Beatles sparkle and rock with great playing and harmonies from beginning to end with a few covers, lots of original Lennon and McCartney songs and the first George Harrison composition.      

It Won’t Be Long ‘ starts things off with John on lead vocal and plenty of harmonies then slows with ‘ All I’ve Got To Do ‘ followed by Paul singing ‘ All My Loving ‘ brilliantly. Next up is George with his own song  singing ‘ Don’t Bother Me’ . Then we have the rocker ‘ Little Child ‘  with Paul on piano and Lennon with a great vocal performance. Paul takes the lead on the sweet  ballad ‘ Till There Was You ‘ . ‘Please Mr Postman ‘ ends the side with John delivering again a great vocal performance on this Motown classic by the Marvelettes.

George takes the mike on Side Two with a steamrolling version of  Chuck Berry’s ‘ Roll Over Beethoven ‘ and ‘ Hold Me Tight ‘ rocks along with Paul’s vocal and the boys full of energy. Smokey Robinson’s ‘ You Really Got A Hold On Me ‘ is my personal fave and features George Martin on piano. Next along is ‘ I Wanna Be Your Man ‘ with Ringo taking vocals and this song would give the Rolling Stones their first big hit in the UK! Next is a great song  ‘ Devil In Her Heart ‘ which is a Beatle cover of a group called The Donays which would have probably been forgotten if not recorded by the Beatles. the last Lennon and McCartney song on the album is ‘ Not A Second Time’ with John on vocal and to finish the album another Motown hit ‘ Money ‘ which gave John a chance to show us his raw vocal power one more time.                                    

The world would soon change as the Beatles went on to conquer the globe and like the two world wars the Yanks were late to the party!  Will we ever see the likes again!


Ian Dury and the Blockheads

March 3, 2011

Reasons To Be Cheerful

One of Britain’s most loved characters from the 70’s punk scene was the likable rogue Ian Dury. Despite being handicapped at an early age with polio, he would go on to give us a string of clever music hall/punk/disco hits which would become part of our everyday language. He coined the now familiar phrases “Hit Me With Your Rhythm Stick” and “Sex & Drugs & Rock & Roll” and was writing great songs right up until his death in 2000 and never complained.

A warm-hearted witty geezer, this guy was the real deal, no pop star make~up needed here! Ian was a barrow boy straight out of Romford market!

Signing to the brilliant London label Stiff Records and releasing New Boots & Panties in 1977, Ian with his Dickens street~urchin image along with the best jazz/funk band in London the Blockheads was to become one of the hottest acts on the live circuit during the early punk years.

Although Ian looked like he had just escaped from a local mental home the night before, he had a lovable if demonic warped sense of humour and was in his mid ~thirties when he hit the big time unexpectedly!

In his teens he attended the Royal College of Art in London before forming the band Kilburn & The High Roads who released their one and only album on Dawn Records in 1975 called ‘Handsome’. The album is well worth finding, but it was in Chas Jankel that Ian was to find a songwriter that would lead him in the right direction to forming the Blockheads.

Hello! I’m from Essex

Every song from  their first album New Boots & Panties is a classic! and listening to some of the lyrics you know that Ian was one of the boys who put the sex in Essex! even though he was originally born in Middlesex, still tracks like ‘Billiericay Dickie’ and  ‘Plastow Patricia’ conjure up life in the urban sprawl of the Essex towns east of  Mile End station on the London underground’s District  line.

Maybe Ian is one of the most important poets that England has produced in the last 40 years with lines like I could be the ticket collector at Fulham Broadway station” and “In the deserts of Sudan and the gardens of Japan from Milan to Yucatan every woman every man“. Now stick that on your ringtones!

Ian had a string of hits singles with ‘Rhythn Stick’  ‘What A Waste’ , ‘Reasons To Be Cheerful’  and ‘I Wanna Be Straight’ but it was the spirited song ‘Spasticus Autisticus‘ released from the Polydor album ‘ Lord Upminster’ which should have been his biggest hit!. Written by Ian for the Year of the Disabled this was a war cry from Ian to all the disabled people in the world but the single was misunderstood and was banned by the BBC and received very little publicity or air~play and is an absolute gem with Sly & Robbie supplying the bass and drums on the record.

Ian’s last album ‘Mr. Love Pants’ released in 1998 and was a real return to form with the Blockheads providing the backing after some indifferent Dury releases but overall all of Ian’s seven albums are worth exploring and if you don’t explore Ian Dury’s work you will never know what a rhythm stick is!

Mind the Gap!


Beatles ~ Wow! It’s only the B side

February 18, 2011

Hey Beatles ~ Thanks for changing the world and to George Martin for arranging it!

One of the great things about the Beatles UK 45 rpm single releases  was the classic B sides that would appear on the flip side of their big hits, always different from the previous one and always brilliant songs and some would have been hits in their own write!

Like some of their hits some of the B sides didn’t appear on their LPs and here we will take a look at some of them. 

Let’s get back to 1963 for the fantastic ‘THANK YOU GIRL’ the B side of their third UK single ‘From Me To You’ with that signature John Lennon harmonica and vocal snarl. This track would have been a hit in its own right!

From the same year on the back of their million seller ‘ From Me To You’  we find ‘ I’ll GET YOU’  with the Oh Yeahs instead of the Yeah Yeah Yeahs and the boys songwriting talents start to shine through.

October 1963 sees the release of the fifth Beatle single ‘I Wanna Hold Your Hand’ and Beatlemania is changing the world as we know it! and tucked on the B side is ‘THIS BOY’ with a superb three-part harmony from the boys and showing the softer side of the Lennon & McCartney partnership.

Christmas 1964 and ‘I Feel Fine’ hits the top of the charts and the Beatles are experimenting with the guitar feedback at the start of the song but equally as good is ‘SHE’S A WOMAN’  on the flip side with McCartney delivering a fine vocal performance and the whole band in rocking  form.

Next up issued on the B side of ‘Ticket To Ride’ on April 9th 1965 with another fine three-part harmony is ‘YES IT IS’ which was followed up in July ’65 with Paul McCartney’s blistering vocal tribute to Little Richard on ‘I’M DOWN’  which became a crowd pleaser on their live shows with John Lennon hamming it up on the keyboard in the solo at Shea stadium. Great stuff!  B side of ‘Help’.

Released the same day as the ‘Rubber Soul’ LP in December ’65 the classic ‘Day Tripper’ delivered a heavier sound from the Beatles as their music started to change, their hair is getting longer and they are spending more time in the EMI toilets! As a (joint) double A side release the other song to hit the ears of the world that month was ‘WE CAN WORK IT OUT’  which features a great vocal from Paul in the verses and together with John in the choruses.

My favourite Beatles 45 single is ‘Paperback Writer’ with ‘RAIN’ on the  B side the first Beatles song to feature a backward guitar effect , this record was released on June 10th 1966 one year before the Sgt. Peppers album. ‘RAIN’ is probably the Beatles at their best, the song has great interactive playing by the band and great words and vocal from John.

February ’67 and the start of the psychedelic period has arrived  and there is no going back now for the Mop Tops as they introduce us to ‘STRAWBERRY FIELDS’ a very delicate layered song with an amazing arrangement from George Martin. The start of the Pepper sessions. On the other side of the record ‘Penny Lane’.

‘BABY, YOUR A RICH MAN ‘ is full of eastern promise but you hardly ever hear this record today and it’s so good. Released in July 67 the B side of ‘All You Need Is Love’ which became the anthem for the summer of love and maybe should have been the world’s anthem as well!

Classic Lennon lyrics and vocals appear on ‘I AM THE WALRUS’  the Beatles at their best and didn’t they take us on a trip! I wonder if this one would have made number one, sure it would have been banned by the BBC. B side to ‘Hello Goodbye’ from November ’67.    

Step into the limelight Mr George Harrison with his first composition to appear on a Beatle 45 ‘THE INNER LIGHT’ was recorded at EMI studio in Bombay, India with Indian musicians under George’s guidance while the Beatles were there studying Transcendental Meditation . Issued March 15th 1968 with ‘Lady Madonna’ on the top side. A great  version appears on the DVD ‘Tribute to George’  which came out after his death and with Jeff Lynne doing the honours . Well worth seeing all the performances on this emotional night which are superb.

Swiftly released after ‘Get Back’ on May 30th 1969 ‘THE BALLAD OF JOHN & YOKO’ only featured two of the Beatles on this record, John on acoustic guitar, lead guitar and vocals and Paul on bass, drums, piano and backing vocals and it has a great live feel about it! This is John in his godly white period with  full beard, grannie glasses and madly in love with Yoko. 

Another George song ‘OLD BROWN SHOE’  appears on the B side with a great guitar solo from Mr Harrison not unlike his playing and sound on the Cream single ‘Badge’.

‘YOU KNOW MY NAME (LOOK UP THE NUMBER) was issued on March 6th 1970 as the B side to the glorious ‘Let It Be’ . Lasting more than four minutes this comedy number shows how much the Beatles were influenced by the Goons who were also produced by George Martin at EMI.

And in the end

The love you take

Is equal to the love

You make!

 

 

 


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