The Small Faces ~ So I’ll Just Groove Along Quite Naturally

In Memory of Ian McLagen  – 1945 – 2014

Are you sitty comfy bold two square on your botty?

Then I’ll begin………

Long before Rod Stewart and Ronnie Wood got together to form the Faces in the early 70’s there was a pop group in England called The Small Faces who  formed in the early 60’s and had hits glore in the UK.

Original members included singer Stevie Marriott who had a spit~in~your~eye attitude leading on three other renegades ~ Ronnie “Plonk” Lane on bass, Kenney Jones on drums, and Ian McLagen on keyboards. The latter three were to join Rod the Mod and Ronnie Wood in the Faces after the Small Faces broke up and Stevie Marriott went on to form Humble Pie. The Faces first album First Step was released in the USA as the Small Faces.

They were called The Small Faces because they were all no taller than 5′ 6″ and they performed some of the most raucous R&B and soulful music this side of the Wapping Wharf with influences such as Booker T & the MGs, Sam Cooke and Solomon Burke. They also looked good with a great image, and were the Mod kings of swinging London,  the boys had clothing accounts at all the best shops in Carnaby Street while the rest of us Mods & Rockers fought it out in Brighton.   

The Small Faces early hits are classic slices of Mod Pop, ‘Whatcha Gonna Do About It’, ‘ Sha La La La Lee’, and ‘All or Nothing’ all released on Decca Records. By 1967 the groups songwriting had began to mature and a change of record label from Decca to ex Stones manager Andrew Loog Oldham’s new Immediate Records allowed them to not play live so much and have more studio time and artistic freedom just like the Beatles with Sgt. Pepper as the flower power era dawned.

Starting with ‘ Here Comes The Nice ‘ The Small Faces blazed a spectacular coloured soundscape across the sky. The truly remarkable Itcycoo Park (their only US hit) was followed next into the charts by Tin Soldier. This is my all time favourite song, full of passion it still today explodes out of the speakers with former Ikette  P.P Arnold on backing vocals spurring on Stevie Marriott to one of the greatest UK soul performances ~ ever!

Everyone nowadays talks about Pete Townsend and Ray Davies being the great spokespersons and class observers of the British 60’s generation  but I think we should take our hats off to Stevie and Ronnie as great songwriters as well!

I remember buying ‘Lazy Sunday’ with Stevie’s cockney voice and the great sound effects on the record while staying at my Aunt Alice’s in Bournemouth on the south coast of England and I must have driven her crazy playing that song and the B side ‘ Rollin’ Over ‘ maybe over a thousand times that Easter weekend.

Their last single to just make it into the Top 30 was ‘ The Universal ‘ and what a truly unique record it is! Partly recorded in Stevie’s back garden with dogs barking in time it features a crazy clarinet part and a Chet Atkins style guitar solo and it’s totally uncommercial but they still made it on to Top of the Pops for a memorable performance.

Like most of the British bands from the 60’s the Small Faces 45 rpm records have great B ~ sides like ‘ Talk to You’ with a powerful passionate Marriott vocal and ‘ I’m Only Dreaming ‘ a beautiful love song with a light arrangement and once again sang with great soul by Mr. Marriott.

B~side ‘ I Feel Much Better ‘ starts with Ronnie Lane’s bass ~ the baddest sound this side of the Watford Gap with P.P. Arnold once again supplying the backing vocals and a great fade at the end of the record. ‘ Rollin’ Over ‘ comes on like a steamroller coming at ya with a killer brass section and Kenney Jones really showing what a great drummer he is and Ian McLagen as melodically inventive on the keyboards as ever and on top of all that another epic vocal from Stevie Marriott.                                         

‘ Donkey Rides A Penny A Glass ‘ always reminds me of my school holidays at my Dad’s caravan on the Essex coast on those hot summer days! grooving along quite naturally. Brilliant!

Then to top it all off and to light the candles on their cake the boys produced the classic  ‘Ogden’s Nut Gone Flake ‘ album released on May 31st 1968. I remember that day was full of sunshine as I travelled to Barking in Essex by bus to buy this extraordinary record with its round artwork sleeve ( a first ) and  the fairy~tale story of Happiness Stan on Side Two of the record narrated by Stanley Unwin in his own strange but unique Unwinese language taking us all off to another world!. This album sounds fantastic in mono.

A brilliant album full of great songs and east end music hall humour that was overlooked in North America but which is full of the a deep joy and thorkus, a great laugh ‘n’ tittery for the heart as Stanley would say.

God bless em all!       Long ago and worlds apart

Paul Simon & Sting together at Rogers Arena ~ Thurs Feb 20th @ 8pm

When you go to see Paul Simon & Sting on tour together you are actually going to see 4 artists, Paul Simon, Sting, The Police and Simon & Garfunkel, this is  the wealth of recorded material that these two artists can draw on  for this show.

No Art Garfunkel on stage tonight but Sting is here to fill that space and what a good job he will do, also no Police boys tonight guitarist Andy Summers and drummer Stewart Copeland are missing in action, but 14 musicians fill the stage and Sting’s band fill the Police void with the brilliant master class Vinnie Golaiuta on drums and the tasteful classically trained Dominic Miller on guitar add to these on keyboards David Sancious and Jo Lawry who is featured on the film ‘ 20 feet from Stardom” on backing vocals with young new kid Peter Tickell on electric violin who is an outstanding talent.

The first thing I notice is Sting is still in strong voice hitting all the notes and still has his vocal power and is first and foremost  a great musician with the chance to play bass with some stellar musicians tonight which he seems to relish and to sing some of Paul Simon’s songs as they merge their material and verses and voices together being very gracious to each other between songs.

Starting in with “Brand New Day” all of Sting’s solo songs and Police goodies are on display here tonight and the crowd are right there for the sing~a~long Roxanne and  Walking on the Moon including yours truly supporting a fellow English boy in Vancouver!

Paul Simon acknowledges the Canadian Woman’s Hockey team win over the USA and gets a big cheer in our home town hockey  stadium.

Next thing I notice is Paul Simon’s band ~ Wow!  every one of them are up to brilliant and deserve a special mention ~ Mick Rossi on Hammond keyboards, Bruce ‘Sunpie’ Barnes on Accordion and Harmonica, Bakithi  Kumalo on bass, Vincent Nguini on guitar, C.J. Carmerierion trumpet and French Horn and Andy Snitzer on Saxophone and Flutes who are a brass section to end all brass sections and  the three who really sparked my  interest, Mark Stewart who would join the brass section on Saxophone and played a mean guitar as well, also Jamey Haddad on percussion who nearly stole the show with his solo and last but not least young drummer extraordinaire Jim Oblon  who I think will be much in demand in the future and is also a fine guitarist.

The songs of Paul Simon carry him through the night, surly one of the best songwriters in the last 50 odd years, he has adapted his voice to suit the all time classics ~ Slip Slidin Away, Stll Crazy, My and Julio, Bridge Over Troubled Waters, Mother & Child Reunion  and the beautiful drum intro into 50 Ways To Leave Your Lover and the crowd are on there feet and in seventh heaven at this point.

Then next up  you have the Graceland songs to wow  the crowd and again they are up on their feet again for every note and word ~ Boy in the Bubble, Diamonds on the Soles Of Her Shoes and You Can Call Me Al with bass player Kulamo showing the audience that he can play just a bit and kissing his bass guitar after a standing ovation at the end of the song. Follow that!

Great show boys ~ Paul Simon at 73 & Sting at 63 ~ Good Friends and happily Still Crazy After All these Years and with smiles on their faces

Frankie Neilson

A Young Person’s Guide to What’s Important in Life

REBELLIOUS MUSIC

Music is for young people and it plays an important part in our growing up and youth. There is nothing better than seeing an exciting live concert with your mates and enjoying yourself. The music you love in your teens will stay with you for the rest of your life. The teenager has played a strong role in changing attitudes in fashion and our parents throughout the decades. Looking back it started with the young girl teenager audiences call bobby soxers that swooned over the first teen idol Frank Sinatra in the 1940’s and wore the poodle skirts and rolled their socks down to their ankles.

Then came Elvis Presley and rock n roll in the mid 50’s and he changed everything drawing from his country roots as well as black Rhythm & Blues which really upset the establishment and when he first appeared on the Ed Sullivan TV show he could only be seen from the waist up as his wiggle of the hips was thought to be too sexual and might cause a riot! which is what the teenagers really wanted. Great to see the old black & white footage of Elvis doin’ this thing! and driving the young girls crazy! Sad he let them cut his hair and joined the army.                     

Then the Beatles hit the world in the early 60’s and made everything that came before them look out~of~date overnight and the world has not been the same since and rightly so, but it seems that all generations including today’s youngsters love the mop tops and we certainly sell more Beatles stuff in the store than anybody else. Finally for the first time since the second world war the economy was getter better all the time (it couldn’t get much worse) and the British teenagers had some money in their pocket and spending power for records and clothes and anything their parents didn’t like the youngsters loved. ha ha

Enter the punk scene in the mid 70’s as a reaction to the pomp of stage shows by Led Zeppelin and Pink Floyd, you didn’t need to know how to play the guitar or drums just get up there and make a noise! With the Sex Pistols and the Clash leading the charge out of the UK with a rebellious sneer on their faces and a brand new fashion look which is still around today and still looks brilliant! Joe Strummer who never made a bad record leading the Clash to America and beyond and Johnny Rotten who was the perfect front man as the band imploded behind him just like it always would somewhere in the States and it’s a shame Sid Vicious took it all too serious as Malcolm McLaren made off with the money.

Now it’s your turn young people.

Record store becomes hub for music lovers

 

It’s only rock n roll but I like it !

The year was 1969. I was 16 and had just landed a job as trainee recording engineer in London, England’s hot music industry

This was the land of the British Invasion, and I was wide-eyed at its bright lights, big city nerve centre.

Zoom forward 10 years and it’s 1979.                                         

I was with Polydor Records, finding and developing new artists, working with musicians such as Paul Weller and The Jam, Ian Dury, Billy Fury and my proudest signing of the time, the Comsat Angels, who have attained cult status over the years.

Those were heady times. In the midst of it, I decided to take a holiday to visit my uncle in Canada. He was living in Edmonton, which was . well. ‘nuf said.

But we took a side trip to Banff and Jasper and there I lost my heart – to those rocky mountains!

I returned to England and jumped back into that intoxicating world of the music business, but a little piece of me remained behind in Canada.

Some years later, I was at a crossroads in my career and wondered about rekindling that old romance – this time with commitment.

My uncle agreed to sponsor me and I immigrated to Canada in 1994. Trouble was, my uncle had since moved to Toronto and my mountain love was nowhere to be seen.

“If you want mountains, you have to go to the west coast,” he told me.

So, I packed my car and drove through the states until I was on the other side of the continent.

I was staying with a friend in Vancouver (loving the mountains, but still unsettled) who talked me into a fish ‘n’ chip supper in Steveston.

I didn’t want to go, but he insisted. Not only did I fall in love with what reminded me of an English seaside village (only surrounded by some awesome mountain), I saw a place where I could join that sense of home with the kind of work that makes me sing out loud – music.

I opened the Beatmerchant Record Store in Steveston in October 2005.

As the name implies, it’s all about music, but it’s not just about commerce. It’s a place to talk music, honour artists of the past and present, and have a face-to-face experience with music lovers.

Recently, a couple of kids came in asking about Jimi Hendrix – I love that.

So while HMV and other big record stores close and the world moves to digital and downloading, I’ll continue to stock vinyl albums of the Beatles to Billie Holliday, posters from Jimi Hendrix concerts – along side Carly Rae Jepsen and Josh Groban CDs.                   

It might sound corny, but I see myself as a keeper of rock and roll history.

That said, anything worth keeping is also worth sharing with others, which is why I’m excited about the opportunity to write this column, “Talking Tunes,” for the Richmond News.

It will be a blend of . comedy, drama, history and humour! And maybe one or two horror stories.

Frankie Neilson owns Beatmerchant Record Store in Steveston and is responsible for starting the summer music series, Music At The Cannery,

Richmond News ~ May 2013

 

 

 

Read more: http://www.richmond-news.com/entertainment/Record+store+becomes+music+lovers/8369766/story.html#ixzz2T0VshCcJ

There’s Only One Presley ~ Reg !

If you travel south~west out of London from a distance of about 66 miles along the B3400 you will come to a town called Andover ~ the home of legendary pop group The TROGGS.

In 1966 the population of Andover boasted around 19,000 people and amongst them was one Reg Ball ~ lead singer of this raw new caveman rock group called  The Troggs and band members Chris Britton on guitar, Pete Staples on bass and last but not least Ronnie Bond on drums.                                                    

Their debut 45 single was just about to be released on Fontana Records and was called ‘ Lost Girl ‘ . This great slab of garage rock would miss the charts by a mile! and that could have been the end of their career in pop music had it not been for Larry Page who looked like Michael Caine’s brother and had been involved in managing the Kinks before starting his own record label called Page One Records.

Reg Ball at this time was a bricklayer and was told by Page to change his surname to Presley because it was more showbiz and he also presented them with a demo song to learn by American songwriter Chip Taylor ( brother of actor John Voight ) and it was called ‘ Wild Thing ‘. Chip Taylor also wrote ‘ Angel of the Morning ‘ . The song had been released in 1965 in America by Jordan Christopher & the Wild Ones  which is very different to the Troggs version but good, more kind of hippy folky.                                                                                                                                                        

The Troggs primitive style turned ‘ Wild Thing ‘ into a world beater hitting the charts in both the UK and the USA. The Troggs version is not that different to  Chip Taylor’s  version but the songwriter rates the Troggs version as the best!                      

Hedgehoppers Anonymous also recorded the song, but they tried to make it sound too musical by trying to sing it and it was diabolical. Later in the 60’s Jimi Hendrix turned it into his own song when he played his dramatic psychedelic version at the Monterey Pop Festival in 1967.

Next release for the Troggs was the No. 1 hit ‘ With A Girl Like You’  which was recorded at the same session as ‘ Wild Thing ‘ in fact both songs were recorded in 45 minutes at the end of a Larry Page Orchestra session with both songs becoming hits. Reg says he got fed up with appearing on Top of the Pops the chart TV show.

September 1966 saw ‘ I Can Control Myself ‘ with it’s risky lyrics given restricted air play on the BBC and being completely banned in Australia, but still it was a hit ! Followed by the beautiful  ‘ Anyway That You Want Me ‘ another Chip Taylor song hit the chart in December making 1966 a mighty memorable year for the boys!

1967 saw the suggestive ‘ Give It To Me ‘ and ‘ Night of the Long Grass ‘ both charting high in the first half of the year and 1968 produced the classic flower powered ‘ Love Is All Around ‘ become a monster hit which was written by Reg Presley who was turning into a hit songwriter himself. In 1994 Wet Wet Wet record a hit version of the song which was also featured in the mega movie ‘ Four Weddings and a Funeral ‘ all of which did very nicely for Mr. Presley’s bank balance, interestly Reg said he spent most of the money on researching crop circles ?

Maybe the Troggs are best remembered in some circles for the Spinal Tap inspired ‘ The Troggs Tapes ‘ a 12 minute studio argument in which drummer Ronnie Bond can’t quite get the beat right on a new song and has the rest of the band criticizing him and he can be heard saying ‘ I know it’s not right ~ and I’m the one playing it! 

Check it out on YouTube ~swear words and all !                                                                                

Hearing all these songs again makes me kinda glad that Reg the Pres didn’t throw in the trowel all those years ago because who would have the Ramones got their inspiration from and many other bands.  Reg Presley passed away on Feb. 5th 2013.

Andover and the Troggs rule ~ you better believe it !

Unplug those iPods and Plug in your Record Players

Vinyl Experience ~ What a difference!

The long-playing record or LP as we know it began its life in the late 40’s as a replacement for the more brittle 78 rpm shellac discs and it clearly worked as the LP is still alive and well today!

The main benefit to the introduction of the vinyl LP was it helped improve durability and the capacity to play up to thirty minutes on each side of the record. However it wasn’t until the birth of Rock n Roll and Elvis that the sales of LPs started to escalate and the first stereo LPs started to appear.

Many albums from the 60’s were issued  in both Mono and Stereo versions, opinions are divided about which versions is the best, with both recordings offering a different listening experience. Early Mono versions do demand a higher price on the collector’s market and UK pressings from this period are highly prized.

With the release of the Beatles ‘Sgt. Peppers’ LP the sales of vinyl exploded in the world-wide market place with huge amounts of vinyl being sold right though  the mid 70’s and early 80’s, with acts like the Eagles, Fleetwood Mac, Peter Frampton and Michael Jackson selling big amounts, but in the 60’s we also began to see the LP artwork developed into its own art form. The album covers became  as important as the music itself taking on it’s own life  as the artists gained more artist control from the major record labels.

LPs became big business and the packaging became more elaborate often including printed inner sleeves with lyric inserts, posters and the beautiful gate~fold  sleeve design becoming great works of art and with the superior vinyl sound that is something the Compact Disc and the iPod with its more transistor-radio like sound has yet to match!

If you came through your teenage years listening to vinyl , then it is a hard act to follow, but the CD and iPod do have storage and mobility on their side.

During the 80’s the record companies kept finding new ways and gimmicks to help sell their latest releases and the collectable picture disc and the coloured vinyl became very popular also picture sleeves on the 45 rpm records and the great sounding 12″ records and remixes which had its big time in the new wave and disco era.

By the mid 80’s the record companies were ready to introduce the compact disc and push the new format into the market and almost overnight vinyl disappeared from the record shops as the record companies started not to release any big artist on vinyl let alone the smaller ones forcing CDs on the general public!

But the vinyl market would not go away and the record fairs became the place to buy and exchange vinyl during this period.   

Happily the classic albums from the 50’s and 60’s onwards are once again available today on vinyl along with the new releases.                                                                                                                                                           

Let’s see if the iPod is around in five years let alone fifty like vinyl.                                      

The great thing about the newer acts releasing vinyl is that some of them are including free downloads of the album as well so you can have the best of both worlds.

Many people come into my shop and tell me they still have their records and turntables and I urge you all to make room on your stereo units and plug-in your record players and enjoy again the unique experience of listening to vinyl through your hi~fi or headphones.

We will see what the future brings.

 

 

 

The Faces ~ Had Me A Real Good Time !

After the demise of the Small Faces in 1969 with Stevie Marriott leaving to form Humble Pie, the three surviving members Kenny Jones ( Drums ) Ian McLagan ( keyboards ) and Ronnie Lane ( Bass ) hooked up with Ron Wood and Rod Stewart fresh evacuees from the Jeff Beck Group, and named their new band The Faces.                      

Jeff Beck is quoted as saying that “Wood and Stewart were like a couple of little schoolgirls always giggling and laughing together” and that he was pleased to get rid of them.

The initial Faces album ‘ First Step ‘ was released in 1970 and had the name the Small Faces on the front cover. The album features lots of  great charm but is slightly untogether with songs such as ‘ Three Button Hand Me Down ‘  and Dylan’s ‘ Wicked Messenger ‘ pointing the direction the band would take in the future, but it was really the folky Ronnie Lane song ‘ Stone’ that captured my ear!

I saw the Faces play on the release of their second album ‘ Long Player ‘ at London’s Chalk Farm Roundhouse and what a show it was with Rod and the boys kicking soccer balls out into the audience and all of them drinking wine and brandy on stage. It was a real party atmosphere with the audience joining in for a sing~a~long at every opportunity.                

The second LP ‘ Long Player ‘ once again is a bit messy but with the Faces becoming a great rock n roll live act at this time. Two tracks on the album are live ‘ I Feel So Good ‘ and a brilliant cover of Paul McCartney’s ‘ Maybe I’m Amazed ‘ and the party theme of ‘ Had Me A Real Good Time ‘ is great, but once again it is the folk songs supplied by Ronnie Lane that also stand out!

Album No. 3 ‘ A Nod’s As Good As A Wink To A Blind Horse ‘ with it’s great sleeve artwork would be the break~through album for the band . Outstanding songs on this album include ‘ Miss Judy’s Farm ‘ and the funny ‘ Your So Rude ‘ and ‘ Stay With Me ‘ .Every song is a winner and  the band really gel and the songwriting had reached a high point.

Finally the band made the UK chart with the 45 ‘ Stay With Me ‘ which exploded out of the radio helping to propel the album and 45 into the Top Ten. However this was followed closely by the solo success of Rod Stewart with the 45 ‘ Maggie May ‘ and the LP  ‘ Every Picture Tells A Story ‘ with the rest of the Faces feeling like they where his backing band. That wasn’t what the Faces was about with their motto being ‘ All For One and One For All ‘ but the damage had been done within the group, most critically with Ronnie Lane who was very unhappy with the situation as some shows were billed as Rod Stewart & The Faces.                                             

By the time the final album ‘ Ooh La La’ hit the streets it was clearly all over but this LP had some high points with ‘ Cindy Incidentally’ making the pop charts and the title track becoming a fitting finale to a great group and with Ronnie Lane leaving the Faces to join the circus with his new ‘ The Passing Show ‘ band of musicians, big top, clowns and all!

Ronnie Lane was the heart of the band and things were never the same after he left and today Ronnie is sadly no longer with us. Kenny Jones joined the Who for a short while as replacement for Keith Moon. Ian McLagan would tour with Bob Dylan and the Stones and fronts his own Bump band,while Ronnie Wood joined the Stones as Mick Taylor’s replacement.

Rod Stewart would do his Atlantic Crossing to the USA and his many blondes girlfriends, but never had another band to match the Faces. Blessed with a great voice maybe he sometimes reflects on the time when he had major solo and group success all in the space of one year with ‘ Maggie May and ‘ Stay With Me ‘ in the singles chart and ‘ Every Picture Tells A Story ‘ and ‘ A Nod’s As Good As A Wink ‘ in the album charts.                        

So far Rod has resisted calls from Ronnie to sing with the band again ~ so the three remaining Faces ~ Ron, Kenny and Ian have played some live shows with Glen Matlock on bass and Mick Hucknell on vocals. Very good indeed !

Last Orders Please !

This Was ~ Jethro Tull

The name Jethro Tull  comes from an 18th century gardener/inventor and this new group that adopted his name had their roots in the progressive British Folk /Jazz /Blues boom of the late 60’s and the two main members who really spilt this band in two at this point were Scottish flutist and vocalist Ian Anderson and guitarist and singer Mick Abrahams who were joined on bass by the very capable Glenn Cornick and the very very capable Clive Bunker on drums to form the band in 1967.                                                                                                                                                                                                   

With both Anderson and Abrahams having strong ideas on the right direction for the group to go, by the time the groups first album release  ‘This Was’ appeared, Abrahams had departed their ranks to follow in a more blues direction with his new group Blodwyn Pig who released two great albums called ‘Ahead Ring Out ‘ and ‘ Getting To This ‘  with Abrahams playing his cherry red Gibson SG and singing to great effect. I was lucky to see Blodwyn Pig at the Marquee Club in London and they played a great show with Andy Pyle’s bass going right through your chest if you were standing in the first ten rows which I was.

While Ian Anderson won the battle to move the band in a more folk rock direction with his on stage performance in a ragged beggar’s overcoat and ballet tights playing the flute on one leg while looking like he had just escaped from a local mental institution this image would propel Jethro Tull to being one of the biggest outfits in the 70’s rock world. New guitarist Martin Barre joined the ranks playing a Les Paul and this settled line~up never looked back making albums like ‘Aqualung ‘ and ‘ Thick As A Brick ‘               

 But for the moment let’s concentrate on this overlooked gem of an album ‘ This Was ” from 1968.

 Side One kicks off with the jazzy My Sunday Feeling written by Ian Anderson with him on lead vocals and flute and features a great solo from Mick Abrahams with the rest of the band right on the money! 2) Some Day the The Sun Won’t Shine a slow twelve bar blues with vocals by Abrahams and Anderson who also plays mouth organ. 3) Beggar’s Farm ~ like the Jethro Tull we all got to know with the jazzy flute to the fore and another great solo from Abrahams. 4) Move on Alone ~ a Mick Abrahams song with him on vocals and a brass section featured on this track. 5) Serenade for a Cuckoo ~ Instrumental ~ a Roland Kirk song which shows where Ian Anderson got his jazz influences on flute from. Nice playing all round.

Side Two starts off with Dharma For One another instrumental with a Clive Bunker drum solo. 2) It’s Breaking Me Up ~  another great twelve bar blues with great playing for Abrahams ~ very bluesy. 3) Cat Squirrel ~ This is the track that I think spilt the band in two. An instrument with features all the best points of Mick Abrahams playing. 4) A Song for Jeffrey ~ This was the single from the album and the start of the direction Anderson would lead the band in and a precursor to Living In The Past . 5) Round ~ A short jazz Brubeck idea.

 

On the Deluxe 2 CD Collector’s Edition  reissue of  ‘ This Was ‘ you will find excellent BBC sessions from Top Gear, John Peel Show plus Stereo and Mono mixes of the album with extra tracks like ‘ Love Story ‘ which  was the last song recorded by Mick Abrahams with the band and it’s my favourite, released as a 45 it featured Christmas Song on the B side which are both worth hearing for the mandolin playing alone as is ‘ Sunshine Day which was their first single released on MGM and credited to Jethro Toe, also ‘ One For John Gee’ who was the manager of the Marquee Club and was responsible for getting the band a residency at the club early on in their career.

Look out for Jethro Tull on the 40th Anniversary 2011 tour playing ‘ Aqualung ‘ in it’s entirety

Dedicated Follower of the Kinks

“The taxman’s taken all my dough and left me in my stately home lazing on a sunny afternoon ~ and I can’t sail my yacht he’s taken  everything I’ve got ~ all I’ve got is this sunny afternoon”. words written by Ray Davies of the Kinks.

We have two things in common with the lyrics above ! The taxman has recently taken all our dough and with summer fast approaching at least hopefully we will get some sunny afternoons!             

The Kinks record “All Day and All of the Night” was the first 45 that I bought and recently on TV they were showing an early episode of “Heartbeat” starring Nick Berry which played most of the Kinks first two records ‘You Really Got Me” and”All Day and All of the Night” and they sounded so good!  Like a runaway express train coming at you.

The original Kinks line up was : Ray Davies guitar & vocals and main songwriter, Brother Dave Davies supplying the  fierce guitar work, Mick Avory laying down the back beat and Peter Quaife on bass who sadly recently passed away.

The next Kinks record that I bought was the LP “Sunny Afternoon” in 1967 on the Marble Arch label which was the budget arm of Pye Records and features four hit singles and some brilliant Kinks B~sides and EP tracks, this record was jammed full of gems from the mid~sixties and complete with the greatest LP cover!   

Named after their current UK No. 1 hit 45 the album kicks off with “Sunny Afternoon”  which has the trade~ mark Ray Davies lyrics and is followed next  by “ I Need You” which is so good it would have been a hit in it’s own right ~ pure garage metal  rock.

 Next up was “See My Friends” which has a repeat hypnotic Indian feel to it and reached No. 10 in the UK charts followed by “Big Black Smoke” the B~side of  “Dead End Street” and really sums up the Fagin feeling of being poor in dirty of London which a lot of us can relate too!

The end song  of Side One is the classic “Louie Louie” written by Richard Berry and was a big hit for the Kingsmen in the USA in 1963 but this Kinks version would have made the charts as well. Pure rock n roll!

Side Two kicks off with “Dedicated Follower of Fashion” which is the Kinks at their best taking a swipe at the Carnaby fashion scene in London and drawing heavily from British music hall traditions in it’s mocking scornful lyrics! and reaching No. 5 in the UK.

They seek him here they seek him there his clothes are loud but never square!  Oh Yes he is!  

Next track is  Sittin’ On My Sofa  : B~ side of “Dedicated Follower of Fashion”  and  a great up beat song with great bass playing from Pete Quaife.  

Next up is  Such A Shame : Appears on the B~side of the US 45 “Well Respected Man’ and again  has great RayDavies lyric and melody.

Track 4 is one of my Kinks favourites “I’m Not Like Everybody Else”  B side of  “Sunny Afternoon” which features brother Dave Davies on vocals and what a great job he does as well!

Also Dave Davies had a number of hits in his own right including “Lincoln County” “Susannah’s Still Alive” and probably the most famous “Death of a Clown“. Great to hear if you haven’t already!

Last song on the album is “Dead End Street” which reached No. 5 on the UK chart and is very popular with people who live in a Cul~De~ Sac’s but the rest of us like it because like so many Ray Davies songs it speaks of the Englishness of the upper and working classes.                                                                                                                                         

I like my football on Saturdays ~ Roast beef on Sundays ~ It’s all right!  

I go to Blackpool for my holidays ~ sit in the open sunlight      

Ian Dury and the Blockheads

Reasons To Be Cheerful

One of Britain’s most loved characters from the 70’s punk scene was the likable rogue Ian Dury. Despite being handicapped at an early age with polio, he would go on to give us a string of clever music hall/punk/disco hits which would become part of our everyday language. He coined the now familiar phrases “Hit Me With Your Rhythm Stick” and “Sex & Drugs & Rock & Roll” and was writing great songs right up until his death in 2000 and never complained.

A warm-hearted witty geezer, this guy was the real deal, no pop star make~up needed here! Ian was a barrow boy straight out of Romford market!

Signing to the brilliant London label Stiff Records and releasing New Boots & Panties in 1977, Ian with his Dickens street~urchin image along with the best jazz/funk band in London the Blockheads was to become one of the hottest acts on the live circuit during the early punk years.

Although Ian looked like he had just escaped from a local mental home the night before, he had a lovable if demonic warped sense of humour and was in his mid ~thirties when he hit the big time unexpectedly!

In his teens he attended the Royal College of Art in London before forming the band Kilburn & The High Roads who released their one and only album on Dawn Records in 1975 called ‘Handsome’. The album is well worth finding, but it was in Chas Jankel that Ian was to find a songwriter that would lead him in the right direction to forming the Blockheads.

Hello! I’m from Essex

Every song from  their first album New Boots & Panties is a classic! and listening to some of the lyrics you know that Ian was one of the boys who put the sex in Essex! even though he was originally born in Middlesex, still tracks like ‘Billiericay Dickie’ and  ‘Plastow Patricia’ conjure up life in the urban sprawl of the Essex towns east of  Mile End station on the London underground’s District  line.

Maybe Ian is one of the most important poets that England has produced in the last 40 years with lines like “ I could be the ticket collector at Fulham Broadway station” and “In the deserts of Sudan and the gardens of Japan from Milan to Yucatan every woman every man“. Now stick that on your ringtones!

Ian had a string of hits singles with ‘Rhythn Stick’  ‘What A Waste’ , ‘Reasons To Be Cheerful’  and ‘I Wanna Be Straight’ but it was the spirited song ‘Spasticus Autisticus‘ released from the Polydor album ‘ Lord Upminster’ which should have been his biggest hit!. Written by Ian for the Year of the Disabled this was a war cry from Ian to all the disabled people in the world but the single was misunderstood and was banned by the BBC and received very little publicity or air~play and is an absolute gem with Sly & Robbie supplying the bass and drums on the record.

Ian’s last album ‘Mr. Love Pants’ released in 1998 and was a real return to form with the Blockheads providing the backing after some indifferent Dury releases but overall all of Ian’s seven albums are worth exploring and if you don’t explore Ian Dury’s work you will never know what a rhythm stick is!

Mind the Gap!