Move over for Terry Reid

February 15, 2012

Terry Reid is the man who turned down the chance to be lead singer with Led Zeppelin. A friend of Jimmy Page he was asked by Page to join his new group The New Yardbirds, instead he recommended another singer he knew Robert Plant from a midlands group called Band of Joy and he also recommended drummer John Bonham. Jimmy Page hired them both and Led Zeppelin was born.

But what is the story of Terry Reid.      

Terry started in music early at the age of 15 as the singer for Peter Jay & the Jaywalkers before going solo.

In 1968 Terry was a guitarist and singer of his own three~piece power band  and was signed to record producer Mickie Most who had worked with The Animals, Donovan, Jeff Beck amongst others and had a contract with EMI Records to release his records. At this stage Terry was more well~known in the US than in England having had his debut album ‘Bang Bang Your Terry Reid’ released over there. At the time of being asked to join Zeppelin he was about to have his new album ‘Superlungs’ released in both England and the US plus a support slot on the up and coming Cream tour of the States so the future looked bright for this 20~year~old kid! and one listen to the album ‘Superlungs’ and you know why Jimmy Page wanted him in his new band.

I saw Terry play in London in 1969 on the release of this album and he was one of the best live acts I have ever seen and still remains one of my all time favourites. Great Great voice ! His range and power can be heard on tracks ‘Speak Now or Forever Hold Your Peace’ and ‘Rich Kid Blues’ and the album ‘Superlungs’ is a lost gem! There are some clips of Terry on YouTube for you to see.  

Terry also toured with the Rolling Stones on the 1969 US tour and appeared at the Isle of Wight festival in England in 1970.                                                                                                                 

Both of these albums failed to sell in any quantities and frustrated with the Mickie Most contract situation the producer wouldn’t let him out of his contract for three years, so Terry decided to move to Los Angeles USA and finally released his next record on Atlantic Records in 1973 called ‘River’ which received little fanfare on either shores. This album has a very west coast laid back acoustic performance and is beautiful.

I saw Terry again in the early 70’s at the Marquee Club in London and the crowd wouldn’t let him off the stage and he was happy to play well past midnight that night.

Little was heard of him until 1976 with the release of ‘Seed of Memory’ my favourite Terry Reid album which was produced by ex~ Hollie Graham Nash and features David Lindley on guitar and is great from start to finish and has Terry in fine voice. The album did chart briefly in the USA  and was released on yet another label ABC Records, but unfortunately the label went out of business just after release of the album, so no tour or promotional. Shame ~  because  this should have been the album for him with a mixture of rock and blue ~ eyed soul.

Fast forward to 1979 and another new album ‘Rogue Waves’  on yet another record label Capitol Records but everything seemed right this time with Terry looking like a rock god on the cover but enter punk and disco and some over the top production on the record and it very quickly ended up in the record store delete bins, but the record does hold some magic moments like the opening track  ‘Ain’t No Shadow’ which shines brightly! No more was heard of Terry Reid during the 80’s.                           

I did try and track Terry down in the early 80’s while I was working at Polydor Records in London but ending up speaking to his Dad a couple of times and that was as far as I got.                                             

In the early 90’s he showed up on the soundtrack of the Tom Cruise film ‘Days of Thunder’ with a scorching version of the Spencer Davis classic ‘Gimme Some Lovin’ and this was followed by a new album on Warners called ‘The Driver’ which is a bit hit and miss but does have a great version of the Waterboys gem ‘The Whole of the Moon’.

If you like your singers in the Paul Rodgers, Stevie Winwood, Stevie Marriott range then Terry Reid will be a real treat for you and he still can be found playing live around the world today. 

  Who Knows ! Maybe Jimmy Page will link up with him one day or pay him a  finders fee for Robert Plant or maybe Jack White will record him~ he is also a big Terry Reid fan.

Advertisements

Sandy Denny ~ We All Play Solo!

February 24, 2011

Some of you may not have heard of the singer Sandy Denny before, but a 19 CD lavish Box Set of her entire work was released late in 2010 and I am sure some of you have heard her before but never knew it! because she performed on the track ‘Battle of Evermore’ with Robert Plant on the Led Zeppelin IV four symbols album.

Sandy Denny wasn’t sure if she wanted to be a big solo star or be just a singer in a rock n roll band but what she did during her career had class act written all over it, playing with great musicians with her haunting tender voice and writing a body of beautiful songs.

Let’s start in 1969 with her joining the folk rock band Fairport Convention which included in their line up the brilliant guitarist Richard Thompson, singer Ian Matthews and bassist Ashley Hutchings on their  2nd album ‘What We Did On Our Holidays ‘  which features Denny’s song ‘Fotheringay‘ and the now classic Fairport song ‘Meet on the Ledge’ .

This album was followed shortly by ‘Unhalfbricking‘ (showing a photo of Denny’s parents on the front cover) with Ian Matthews leaving the band at this point but being replaced with violin player ex~ordinaire Dave Swarbrick who always had a ciggie in his mouth and a fiddle in his hands. This album features the beautiful Denny song “Who Knows Where The Time Goes’ which Judy Collins covered and the epic ‘A Sailors Life’ which started to lead the band in a new unique direction which would produce one of the greatest folk rock albums of the 70’s ‘Liege and Lief ‘. Before that album was recorded the band suffered a terrible tour bus crash which claimed the lives of Fairport drummer Martin Lamble and Richard Thompson’s girlfriend  girl Jeannie Franklyn while Sandy had travelled by car with her new Aussie boyfriend and future husband Trevor Lucas.         

Adding new drummer the fabulous Dave Mattacks to their ranks and with Dave Swarbrick now as a fully paid up member of the band the classic album Liege and Lief was produced with dazzling solos from Thompson and Swarbrick but no Sandy Denny songs  were featured only her vocals as she was about to leave the band and form her own band Fotheringay.

Fotheringay had a stellar line up of Gerry Conway on drums , Pat Donaldson on bass (and both later with Cat Stevens) and the excellent Jerry Donahue on guitar along with Trevor on acoustic guitar and Sandy on vocals and piano. They only released one album called Fotheringay which features plenty of the best of Denny’s songs before Sandy decided to go solo while recording tracks for the second Fotheringay album which was finally released in 2008 and is excellent!

Sandy recorded four solo albums all together (The North Star Grassman & the Ravens Sandy ~ Like An Old Fashioned Waltz and Rendezvous) during the 70’s before re~joining Fairport one more time for the album ‘Rising of the Moon’ but the spark had gone after years of smoking and drinking and after the release of her final solo effort ‘ Rendezvous ‘  in 1977 she suffered injuries from falling down a flight of stairs and died the following year 1978.

All of her albums with Fairport, Fotheringay and solo Sandy Denny are wonderful !                                                                                                                                                                                                                    

A tragic loss but her songs live on including :It’ll Take A Long Time, The Pond And The Stream, Late November, Solo and Stranger to Himself


The Who Sell Out ~ Not Likely !

February 3, 2011

I have always been a big Who fan from the first time I heard them in my cousin’s bedroom in Dagenham, Essex at the age of 12. He had just bought a copy of the Who 45 ‘ My Generation ‘ which became one of the defining songs of  the 60s.                                                                                                                       

I love the power and the violence bursting out of that song and the stuttered voice only added to the tension. It shot up to the top of the charts in England and around the world and became an anthem for the young.

Earlier that year 1965 the Who had released two other singles ‘ I Can’t Explain ‘ and ‘ Anyway Anyhow Anywhere ‘ both explosive songs with memorable Townsend guitar parts. The classic My Generation album was to follow with brilliant cover versions and Townsend originals like ‘ A Legal Matter ‘ and ‘ The Kids Are Alright ‘ This was the first of a long line of important rock albums from the band.

The group in England always had a big mod following and were always a great live band with members Keith Moon on drums who was in a class of his own and totally irreplaceable just like Zeppelin’s John Bonham. On guitar Pete Townsend was to turn into a great songwriter but not the greatest lead guitarist in the world like Hendrix or Clapton but was completely locked into Keith Moon on each Who song and was exciting to watch. They would both smash~up their guitars, speakers  and drums at the end of each live performance and would both leave the stage in chaos and destruction.

John Entwistle on bass also known as ‘ The Ox ‘ was the glue which kept this group in time a very talented bass player who played his instrument like a lead guitar and was very loud with the treble control full on! On vocals ace ~ face Roger Daltrey was full of aggression and attitude having many famous fallouts with Townsend along the way but as a singer he just got better and better as the years when on especially live.

The Who would become one of the best live bands around in the late 60’s early 70’s and I love their performance on the Stones Rock & Roll Circus ‘ where their stole the show with their mini opera ‘ A Quick One While He’s Away ‘ and let’s not forget the stunning Woodstock performance.

 Back to the singles and next up in the British charts was ‘ Substitute ‘ which I think is a  brilliant bit op pop with the lyrics.

 I’m a substitute for another guy, I look pretty tall but my heels are high,  the simple things you see are all complicated, I look pretty young but I’m  just backdated “

My favourite Who album is their third ‘ The Who Sell~Out ‘ from 1967 featuring the top ten hit ‘ I Can See For Miles ‘ and pirate radio jingles in between the tracks.                                                                   

The biggest album that the band ever had ‘ Who‘s Next ‘  from 1971 which doesn’t have a bad track on it! but well worth a listen is the 1967 release ‘A Quick One ‘

After the huge success of ‘ Tommy ‘ probably the most overlooked album is the double ‘ Quadrophenia ‘ from ’73 with great songs like ‘5:15 ‘ ‘ The Real Me ‘ and ‘ Love Reign Over Me ‘ and don’t  miss the movie if you haven’t seen it with a young Sting in a starring role,  made in mod heaven Brighton.

The group was never the same after the album  ‘ Who Are You ‘ and  the death of Keith Moon but Kenney Jones was brought in to fill the drum spot and the group made a spirited go of things in the 80’s and the hits kept on coming.

In the later years Ringo’s son Zak has been a good substitute laying down a rock steady drum beat, you can see him on the excellent Royal Albert Hall DVD which is highly recommended.

In 1990 The Who was inducted into the Rock n Roll Hall of Fame and following the sad loss of bassist John Entwistle in 2002 the band is down to two original members Roger Daltrey and Pete Townsend who have admirably soldiered on and I am just putting this suggestion out there that maybe one day we might see Townsend on guitar and Daltrey on vocals join forces with Paul McCartney on bass and vocals and Ringo Starr on drums to record an album from a band that would be worth waiting for!                                                                                                              

Meet the new boss ~ same as the old boss


%d bloggers like this: